If it sounds like Aaron Lewis is long past defending his Country music pedigree, that would be a correct assessment. Lewis would prefer the music speak for itself and, with the release of SINNER, Lewis’ stunning Dot Records follow-up to his groundbreaking full-length solo debut The Road in 2012, any would-be detractors will be pretty much out of ammo.
Lewis, however, is not. SINNER blasts through today’s Country music doldrums like a shot of 100-proof whiskey, with the singer making zero compromises with either himself or the restrictions of a format that seems to have abandoned its rougher tendencies in favor of pop and ‘70s rock inclinations largely lacking in grit.
For many, Ray Scott needs no introduction. Warner Bros. released Scott’s debut album My Kind Of Music in 2005 to enormous critical acclaim. The first single and title track cracked the top 40, but a combination of label politics and radio’s reluctance to embrace his fresh approach to country traditions had him off the label less than two years later. But a funny thing happened on the way to post-label obscurity – a level of success many major label artists might envy.